Notes in Emily Dickinson’s pocket – “The heart asks pleasure first” (Life, 9)

Emily_Dickinson_daguerreotype 3



The heart asks pleasure first,
And then, excuse from pain;
And then, those little anodynes
That deaden suffering;

‌And then, to go to sleep;
And then, if it should be
The will of its Inquisitor,
The liberty to die.
‌‌
‌‌

Emily is said to have carried a pencil and scraps of paper in her pocket in order to always be prepared when a poem came her way.

~  “Tell all the Truth but tell it slant.”  ~

Image of Emily Dickinson – from the daguerreotype taken circa 1848. (my frame)
Poem – Emily Dickinson. Complete Poems. 1924.

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The Coffee Shop – Kwabs – “Forgiven” and “Look Over Your Shoulder” (music videos)

The Coffee Shop is an open thread-style discussion forum for human interest news of the day.

Kwabs Forgiven snip 3

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Word Cloud: SOLSTICE

Word Cloud Resized

by Nona Blyth Cloud

While Memorial Day has become the unofficial start of summer for Americans, the actual start of the season is the Summer Solstice, which this year begins at 6:34 p.m. EDT on Monday, June 20.

I’ve decided to celebrate a little early because this beginning, the longest day of the year,  is also the brink of Earth’s long tilt back toward Winter, a reminder that the days of sun and roses are fleeting.

Finding poems about June and the Summer Solstice isn’t hard, but finding good ones is not easy. June rhymes with too many things, and there’s a trainload of June-Moon-Spoon-Tune stuff out there. And most of the poems, whether about the month or the day, tend to be pretty and flowery, but all too easily forgotten.

I like Garrison Keillor’s criteria: “Stickiness, memorability, is one sign of a good poem.  You hear it and a day later some of it is still there in the brainpan.”

Sun Symbol Zia -sml


These first two poems focus on a different aspect of summer — insects. In this Mary Oliver poem, it’s a grasshopper, along with her thoughts about Life, the Universe and Everything:

The Summer Day

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

grasshopper female


Lynda Hull remembers Florida’s mosquitoes and cicadas, the unraveling of love, and her mixed memories of her parents.

Insect Life of Florida

In those days I thought their endless thrum
was the great wheel that turned the days, the nights.
In the throats of hibiscus and oleander

I’d see them clustered yellow, blue, their shells
enameled hard as the sky before the rain.
All that summer, my second, from city

to city my young father drove the black coupe
through humid mornings I’d wake to like fever
parceled between luggage and sample goods.

Afternoons, showers drummed the roof,
my parents silent for hours. Even then I knew
something of love was cruel, was distant.

Mother leaned over the seat to me, the orchid
Father’d pinned in her hair shriveled
to a purple fist. A necklace of shells

coiled her throat, moving a little as she
murmured of alligators that float the rivers
able to swallow a child whole, of mosquitoes

whose bite would make you sleep a thousand years.egret in reeds
And always the trance of blacktop shimmering
through swamps with names like incantations—

Okeefenokee, where Father held my hand
and pointed to an egret’s flight unfolding
white above swamp reeds that sang with insects

until I was lost, until I was part
of the singing, their thousand wings gauze
on my body, tattooing my skin.

Father rocked me later by the water,
the motel balcony, singing calypso
with the Jamaican radio. The lyrics

a net over the sea, its lesson
of desire and repetition. Lizards flashed
over his shoes, over the rail

where the citronella burned merging our
shadows — Father’s face floating over mine
in the black changing sound

of night, the enormous Florida night,
metallic with cicadas, musical
and dangerous as the human heart.

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Walking with Walt Whitman – Leaves of Grass – Inscriptions – Eidolons

Walt_Whitman,_cropped 1Walking with Walt Whitman
A daily installment from Leaves of Grass.

~ ❦ ~

                         Eidolans

          I met a seer,
Passing the hues and objects of the world,
The fields of art and learning, pleasure, sense,
          To glean eidolons.

          Put in thy chants said he,
No more the puzzling hour nor day, nor segments, parts, put in,
Put first before the rest as light for all and entrance-song of all,
          That of eidolons.

          Ever the dim beginning,
Ever the growth, the rounding of the circle,
Ever the summit and the merge at last, (to surely start again,)
          Eidolons! eidolons!

          Ever the mutable,
Ever materials, changing, crumbling, re-cohering,
Ever the ateliers, the factories divine,
          Issuing eidolons.

          Lo, I or you,
Or woman, man, or state, known or unknown,
We seeming solid wealth, strength, beauty build,
          But really build eidolons.

          The ostent evanescent,
The substance of an artist's mood or savan's studies long,
Or warrior's, martyr's, hero's toils,
          To fashion his eidolon.

          Of every human life,
(The units gather'd, posted, not a thought, emotion, deed, left out,)
The whole or large or small summ'd, added up,
          In its eidolon.

          The old, old urge,
Based on the ancient pinnacles, lo, newer, higher pinnacles,
From science and the modern still impell'd,
          The old, old urge, eidolons.

          The present now and here,
America's busy, teeming, intricate whirl,
Of aggregate and segregate for only thence releasing,
          To-day's eidolons.

          These with the past,
Of vanish'd lands, of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors' voyages,
          Joining eidolons.

          Densities, growth, facades,
Strata of mountains, soils, rocks, giant trees,
Far-born, far-dying, living long, to leave,
          Eidolons everlasting.

          Exalte, rapt, ecstatic,
The visible but their womb of birth,
Of orbic tendencies to shape and shape and shape,
          The mighty earth-eidolon.

          All space, all time,
(The stars, the terrible perturbations of the suns,
Swelling, collapsing, ending, serving their longer, shorter use,)
          Fill'd with eidolons only.

          The noiseless myriads,
The infinite oceans where the rivers empty,
The separate countless free identities, like eyesight,
          The true realities, eidolons.

          Not this the world,
Nor these the universes, they the universes,
Purport and end, ever the permanent life of life,
          Eidolons, eidolons.

          Beyond thy lectures learn'd professor,
Beyond thy telescope or spectroscope observer keen, beyond 
     all mathematics,
Beyond the doctor's surgery, anatomy, beyond the chemist 
     with his chemistry,
          The entities of entities, eidolons.

          Unfix'd yet fix'd,
Ever shall be, ever have been and are,
Sweeping the present to the infinite future,
          Eidolons, eidolons, eidolons.

          The prophet and the bard,
Shall yet maintain themselves, in higher stages yet,
Shall mediate to the Modern, to Democracy, interpret yet to them,
          God and eidolons.

          And thee my soul,
Joys, ceaseless exercises, exaltations,
Thy yearning amply fed at last, prepared to meet,
          Thy mates, eidolons.

          Thy body permanent,
The body lurking there within thy body,
The only purport of the form thou art, the real I myself,
          An image, an eidolon.

          Thy very songs not in thy songs,
No special strains to sing, none for itself,
But from the whole resulting, rising at last and floating,
          A round full-orb'd eidolon.

~ ❦ ~

Leaves of Grass – Wikisource
Image – Walt Whitman, age 35, from the frontispiece to Leaves of Grass,
Fulton St., Brooklyn, N.Y., steel engraving by Samuel Hollyer from a lost daguerreotype by Gabriel Harrison (my frame) ~ Wikipedia

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Notes in Emily Dickinson’s pocket – “A wounded deer leaps highest” (Life, 8)

Emily_Dickinson_daguerreotype 3A wounded deer leaps highest,
I ’ve heard the hunter tell;
’T is but the ecstasy of death,
And then the brake is still.

The smitten rock that gushes,
The trampled steel that springs:
A cheek is always redder
Just where the hectic stings!

Mirth is the mail of anguish,
In which it caution arm,
Lest anybody spy the blood
And “You ’re hurt” exclaim!

Emily is said to have carried a pencil and scraps of paper in her pocket in order to always be prepared when a poem came her way.

~  “Tell all the Truth but tell it slant.”  ~

Image of Emily Dickinson – from the daguerreotype taken circa 1848. (my frame)
Poem – Emily Dickinson. Complete Poems. 1924.

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The Coffee Shop – Augmented Future (video)

The Coffee Shop is an open thread-style discussion forum for human interest news of the day.

Augmented Future snip

From Dues Ex:

Open Bionics, Eidos-Montréal and Razer are working together to bring Deus Ex inspired augmentations to life. The three companies will partner up to help bridge the gap between fiction and reality, working together to design, 3D print, scan, power, and create affordable bionic hands.

This “Augmented Future” initiative will combine the expertise of each company, with the ultimate goal being to make fashionable robotic prosthesis accessible to a larger audience.

For more information, visit http://www.augmentedfuture.com.

—oooOooo–

This is an open thread. There are several hosts, each host being responsible for picking a “theme of the day” and starting the discussion. However, there is no hard and fast rule about staying on topic, especially if you have a personal story burning a hole in your pocket trying to escape.
Pictures and videos are welcome in the comments.  If photos are used, please be sure you own the copyright. We would rather see your personal photos anyway, rather than random stuff copied from the internet.  Our only request is that if you use pictures or videos, take pity on those who don’t have broadband, and don’t post more than two or three in a single comment.

Coffee cup

This is an Open Thread. Grab your cup, pull up a chair, sit a spell and share what’s on your mind today.

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Owls and Lemmings – shared last meals

Last-Supper-ca-1520.jpg

 

By ann summers

It is of course a first-world conceit and problematic to talk about last meals on earth when some have trouble getting daily meals at all. OTOH don’t we all like to speculate about penultimate pleasure, except that last love rather than meal on earth would be so much more painful to write about

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see also: by Melanie Dunea’s My Last Supper: 50 Great Chefs and Their Final Meals / Portraits, Interviews, and Recipes

Ideally, my last meal would be at Sukiyabashi Jiro, a tiny sushi bar below street level in Tokyo. It serves some of the finest quality sushi anywhere on the planet.

I’d be alone at the sushi bar. I think I’d prefer to die like an old lion – to crawl away into the bushes where no one can see me draw my last breath. But in this case, I’d crawl away to a seat in front of this beautiful hinoki wood sushi bar, where three-Michelin starred Jiro Ono would make me a 22- or 23-course omakase tasting menu…

I would risk displeasing Jiro just this once. He feels rice drinks do not necessarily highlight his specially grown rice, of which he is very proud, so he would probably prefer that I drink his house blend of tea throughout the meal.

But, on this occasion, I’d order the most rare and expensive sakes he’d agree to sell me. In fact, I’d allow myself to get a little tipsy. Ideally, this being my last meal and all, I could convince the master to join me.

After the final course, usually Jiro’s incredibly precise tamago (omelette), preferably while I’m still chewing, you could step up behind me and – KGB style – shoot me in the back of the neck. As I sagged to the floor, in my last conscious seconds, I would know that this night, no one on Earth had eaten better than me. Pure pleasure.

www.chicagotribune.com/…

And are Snowy Owls more predatory or Lemmings more suicidal?

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Walking with Walt Whitman – Leaves of Grass – Inscriptions – To Thee Old Cause

Walt_Whitman,_cropped 1Walking with Walt Whitman
A daily installment from Leaves of Grass.

~ ❦ ~

To Thee Old Cause

To thee old cause!
Thou peerless, passionate, good cause,
Thou stern, remorseless, sweet idea,
Deathless throughout the ages, races, lands,
After a strange sad war, great war for thee,
(I think all war through time was really fought, and ever will be really fought,         for thee,)
These chants for thee, the eternal march of thee.

(A war O soldiers not for itself alone,
Far, far more stood silently waiting behind, now to advance in this book.)

Thou orb of many orbs!
Thou seething principle! thou well-kept, latent germ! thou centre!
Around the idea of thee the war revolving,
With all its angry and vehement play of causes,
(With vast results to come for thrice a thousand years,)
These recitatives for thee,—my book and the war are one,
Merged in its spirit I and mine, as the contest hinged on thee,
As a wheel on its axis turns, this book unwitting to itself,
Around the idea of thee.

~ ❦ ~

Leaves of Grass – Wikisource
Image – Walt Whitman, age 35, from the frontispiece to Leaves of Grass,
Fulton St., Brooklyn, N.Y., steel engraving by Samuel Hollyer from a lost daguerreotype by Gabriel Harrison (my frame) ~ Wikipedia

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Mooseogorsky’s Windchime Rhapsody

Britta Schroeder posted this video and brief explanation:

Healy, Alaska – As I lay in bed this evening, I could hear my wind chime blowing up, but when I looked out the window, not even a blade of grass budged.

I should clarify that the blender and the red bucket in the video are part of a paper-making project and have no food, nor have ever had food, in either. The chest freezer is also locked.



Hard to tell if the moose is playing with the chime or scratching an itch – or both.

Neighbors are different in rural Alaska!

Rocky and Bullwinkle

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Notes in Emily Dickinson’s pocket – “Within my reach!” (Life, 7)

Emily_Dickinson_daguerreotype 3


Within my reach!
I could have touched!
I might have chanced that way!
Soft sauntered through the village,
Sauntered as soft away!
So unsuspected violets
Within the fields lie low,
Too late for striving fingers
That passed, an hour ago.


Emily is said to have carried a pencil and scraps of paper in her pocket in order to always be prepared when a poem came her way.

~  “Tell all the Truth but tell it slant.”  ~

Image of Emily Dickinson – from the daguerreotype taken circa 1848. (my frame)
Poem – Emily Dickinson. Complete Poems. 1924.

Posted in Emily Dickinson, Poetry | Tagged , | Comments Off on Notes in Emily Dickinson’s pocket – “Within my reach!” (Life, 7)