Flowers For Socrates

(Republished in honor of Women’s History Month,
and because we all need more uplifting connections.)

by NONA BLYTH CLOUD

When you finally come down to it, all Art is really about such a basic thing: Connection. Human to human, and human to art, whether it’s in a museum, or hung on your wall, up on a stage, showing on a screen, words in a book, or a recording you’re playing.

Of course, not all art connects to all people. What a boring world it would be if all of us felt the same way about everything! But some connections happen only for a few people, while others are nearly universal.

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Tess Gallagher (1943 – ) writes poems that do connect for a lot of people. This one taps into the awkwardness most of us who have homes feel when we encounter a person on the street who clearly has no place to call home.

The Hug

A woman is reading a poem on the street
and another woman stops to listen. We stop too.
with our arms around each other.

Suddenly a hug comes over me and I’m
giving it to you, like a variable star shooting light
off to make itself comfortable, then
subsiding. I finish but keep on holding
you. A man walks up to us and we know he hasn’t
come out of nowhere, but if he could, he
would have. He looks homeless because of how
he needs. “Can I have one of those?” he asks you,
and I feel you nod. I’m surprised,
surprised you don’t tell him how
it is – that I’m yours, only
yours, etc., exclusive as a nose to
its face. Love – that’s what we’re talking about, love
that nabs you with “for me
only” and holds on.

So I walk over to him and put my
arms around him and try to
hug him like I mean it. He’s got an overcoat on
so thick I can’t feel
him past it. I’m starting the hug
and thinking, “How big a hug is this supposed to be?
How long shall I hold this hug?” Already
we could be eternal, his arms falling over my
shoulders, my hands not
meeting behind his back, he is so big!

I put my head into his chest and snuggle
in. I lean into him. I lean my blood and my wishes
into him. He stands for it. This is his
and he’s starting to give it back so well I know he’s
getting it. This hug. So truly, so tenderly
we stop having arms and I don’t know if
my lover has walked away or what, or
whether the woman is still reading the poem…

Clearly, a little permission is a dangerous thing.
But when you hug someone you want it
to be a masterpiece of connection, the way the button
on his coat will leave the imprint of
a planet in my cheek
when I walk away. When I try to find some place
to go back to.

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